PHARMAWHORES
The SHOWTIME Sting of Penn & Teller
Film Reviews
“Combines awareness of the pharma-elites behind so much of the harm to our world and health. ‘HealthyWorldAffiliates.com’ distribution plan for ‘PHARMAWHORES’ is designed for our movement. There are no obligations to participate. No investment or purchasing is necessary. This is a great film and mechanism designed for our 911 Truth other movements that can help finance our projects.”
Citizens’ Action for 911 Investigations.
Demanding Answers
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Healthy World Organization
“We are adding a new film element this year. . . . PHARMAWHORES injects both truth and humor to demonstrate how BigPharma and corporate media engage ‘poison-for-profit’ at the monetary and health expense of the masses. It is a triumph in exposing SHOWTIME’s Bullshit ‘programming’ that professes to be a consumer watch-dog when, in fact, it is a calculated
psychological operation (‘psy-op’) against a gullible public that believe we in the greater community of truth-seekers and ‘alternative’ researchers are nothing but snake oil salesmen. . . . Horowitz, quite deliciously, turns the cameras and tables on two ‘magicians’ (illusionists), who possess nothing but foul disdain for anything that threatens the status quo.
We’re Just Beginning. . . Return Soon for More Reviews
PHARMAWHORES showcases great investigative journalism. It is hard-hitting, humorous, engaging from the beginning and wraps up the whole story really well at the end. I still can't believe what Bill Gates said about vaccines . . . in the film, and the slip I heard him make on NPR. It's unbelievable!
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PHARMAWHORES
DVD available May 9.
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528Records.com
The Musical Revolution
Transposing to LOVE
On Liability & Penn’s Profanity:
An Open Letter from the Producer
To Whom It May Concern,
Thank you so much for taking the time to help us distribute, PHARMAWHORES: The SHOWTIME Sting of Penn & Teller.
I am taking this opportunity to respond to valuable considerations and reasonable concerns about potential litigations and distribution challenges raised by some reviewers and potential distributors:
Regarding “sign-offs from Penn & Teller and the Showtime producers,” pertaining to feared libel or “copyright infringement lawsuits,” this concern is untenable for the many reasons cited below. The following enables me to indemnify distributors of PHARMAWHORES from liability.
1) It is inconceivable potential plaintiffs (e.g., Penn Jillette, David Wechter, Sumner Redstone, etc.) would expose themselves through litigation to negative publicity surely increasing the film’s marketability and popularity. In fact, we welcome a lawsuit by anyone exposed in this film for complicity in the genocidal atrocities committed by the networks, their crime bosses, and their PHARMAWHORES; as it would only benefit our mission to bring more mainstream attention to their criminal actions, and stop them from committing further genocide against We The People.
2) U.S. Constitutional First Amendment Rights protect our “Freedom of Speech,” AND compels our film’s production on behalf of We The People. In this case, this film identifies issues that are a matter of life and death. The film, in fact, is an urgent response to grave threats to national security and public health.
3) Fair use laws, especially pertaining to these urgent matters, have us obviously protected. Copyrights are subject to limitations found in sections 107 through 118 of the copyright law (title 17, U. S. Code). The doctrine of “fair use” has developed through a substantial number of court decisions over the years and has been codified in section 107 of the copyright law.
Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research. Each of these listed purposes are obviously advanced by PHARMAWHORES. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:
a. The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes. Our production company, Tetrahedron Films, and associated organizations, Healthy World Organization and 528Records.com, are non-profit educational health companies. You will notice that downloads of the film are available by donation from our website, and the distribution arrangement we have with HealthyWorldAffiliates.com and HealthyWorldStore.com gives all profits to humanitarian organizations;
b. The nature of the copyrighted work. In this case we have taken YouTube clips that are already public access; or material sent to me by SHOWTIME producers to gain my participation in their Bullshit! program.
e. The amount and substantiality of the portion used in relation to the copyrighted work as a whole. I made it a point to limit “BS” segments used in PHARMAWHORES to a small fraction of the original copyrighted works.
d. The effect of the use upon the potential market for, or value of, the copyrighted work. The copyrighted works have near zero financial value as they have already been broadcast by SHOWTIME, and placed already on YouTube for free public access.
In addition, the distinction between fair use and infringement is legally unclear and not easily defined. There is no specific number of words, lines, notes, or film clips, that may be argued as evidencing a tort; Thus, any claim in this matter is arguably frivolous.
4) The filmed counter-sting that we conducted exposing producer David Wechter, and his team, took place in my home and neighborhood AFTER Wechter was provided adequate notice we were filming, and then he elected to evade our cameras by leaving and driving away. Wechter and SHOWTIME advertise they conduct far worse--“hidden camera stings” on the public and persons such as myself, arguably for public benefit—their website claims. As in the case of “To Catch a Preditor,” by Dateline NBC (MS/NBC), exposing pedophiles using hidden cameras, this is done without concern for libel or permissions, as it is in service to society and children’s safety. We are, likewise, protected.
5) SHOWTIME’s violation of their constitutional command to provide balanced reporting on matters of public interest and urgency--health, safety, and national security—is a compelling reason to produce and distribute PHARMAWHORES. The network’s and producers’ violation of the public’s trust is compellingly evidenced in the movie, and is a matter of international urgency. In fact, if we had a team of attorneys collaborating with us at this time, we would probably be filing a lawsuit requesting the Court’s injunction on further SHOWTIME “BS” programming since its propaganda, and public persuasion, generates pharmaceutical intoxications, and is, thus, unsafe for viewing. Of course, we would tie in the links between media-driven “false flag” pandemics (e.g., H1N1), and drug and vaccine sales and side effects, profitably promoted by PharmaWhores in the PharmaMedia.
6) Furthermore, the 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use, including: “incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.” This handles any possible claim by Wechter and SHOWTIME, and Penn & Teller filmed at their Rio Hotel & Casino Theater, as part of our investigation and report.
Thus, concerns about possible litigation from copyright infringement(s) is more than unlikely, it is unfathomable and prohibited by the U.S. Constitution and fair use laws.
Whereas it was impracticable to obtain permission from the subjects of our investigation and filmed report, the doctrine of fair use would clearly apply to our situation.
A Matter of Film Quality
The quality of the PHARMAWHORES DVD is very good, far superior to the low-resolution compressed files that are available for downloading through PHARMAWHORES.com. The .wmv file for Windows most commonly downloaded is only about 2 GBs. That is about 1/3 the resolution quality of the DVD that requires a double layered disc for printing.
Some people have raised a reasonable concern about public acceptance of the production’s quality, considering the varying film segments acquired from YouTube in lower resolution than our film production (HDV) cameras.
However, I would encourage critics to consider this discrepancy most positively as representatives of the artistic community, because this movie does something never done before in film-making history. I created, by necessity, a new genre of films that I refer to a “b-filming” (honoring the concept of b-boying, otherwise called “breakdancing,” in which street performers pioneered a new performing arts genre that made use of their natural talent and whatever was available to them on the street.) In this case, I made use of low resolution YouTube clips presented artistically on screen using smaller frames and pleasant professional templates to optimize split screen, and even quarter-screen, presentations of educational information without significant interruption of viewers’ attention or objection to poorer quality clips. In fact, in several screenings we have already held, critical audiences did not find this treatment (a quality aberration) a serious consideration, especially under the circumstances that compelled the film as an urgent humanitarian educational action.
Lastly, I appreciate responsible concerns about the strong language and violence presented exclusively by SHOWTIME and Penn Jillette in this film, unlikely to be rated anything less than “R” or “NR.” As the producer and editor of PHARMAWHORES I struggled with the choice to bleep over Jillette’s foul mouth, and actually did this as an experiment on a trashed segment. I found the bleeps to be annoying and distracting, as opposed to Penn’s profanities being simply emotionally charging or discomforting. The choice I finally made to keep Penn’s disgusting language in the film, with adequate forewarning provided to viewers, was based on the greatest educational service I felt I could render, evidencing, by Penn’s example, the gross malicious degeneration of social norms as a CULTural affront—a “dumbing down” of the masses—required by the population-controllers’ genocidal agenda, (e.g., to vaccinate people with brain damaging mercury, or poisoning foods and water supplies with nerve numbing fluoride or other intoxicating chemicals.)
I pray that various retail film outlets will loan or sell PHARMAWHORES by reason of our assigned “NR” rating. This seems appropriate since the top selling genre in stores is commonly XXX.
Thanks for taking the time to read this open letter, and my request that everyone, you included, consider representing us as a distributor of PHARMAWHORES: The SHOWTIME Sting of Penn & Teller.
Best wishes,
Leonard G. Horowitz
Producer, PHARMAWHORES: The SHOWTIME Sting of Penn & Teller.
"The PHARMAWHORES film shows the depths of corruption and media exploitation of the minds, and consciousness, of our populations. . . . Penn and Teller, and all major media, are the real source of “BS.” BigPharma, sponsored by Big-Banksters, have stolen our ways to natural wellness. They have substituted toxic drugs and mind-lobotomizing dangerous vaccines. They back a Dr. Mengele-like medical regime of order-taking eugenicists."
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